It's long but worth it.
"
As a story, this works pretty well. It plays off of Abed’s character on a fundamental level, and it gets into the fact that—broadly speaking—he’s always going to resist growing up. There’s a real tension at the heart of Community between reality and fantasy, between the idea of giving up on fantasy to exist in “reality,” whatever that is, and it’s one that stretches back to one of the very first episodes. In it, Abed’s father grew angry at the idea of Abed continuing to make films, even though those films were the way Abed dealt with the emotional trauma of his family breaking up. Britta and Jeff pushed him back on the path of pursuing his dreams, rather than working at his father’s business. Broadly speaking, Abed’s not terribly likely to break into the film industry, the only place he could make any real money at this. At some point, he’ll have to find a job and grow up and stop living in a fantasy world. But, as Troy points out, that would stop making him Abed.
This is a pretty fundamental thing that happens to change people between when they’re about 20 and when they’re about 25 (and again between 25 and 30). Eventually, you realize that your number one dream for life just might not be attainable, and that leads to a slow winnowing down, a wearing away of what you wanted that leaves you in a place where you can make enough money to live, but you might not be doing what you’d always hoped you were. One of the crucial shifts that’s happened in the last 30 years or so, however, is that kids, increasingly, aren’t prepared for this. They are told they can have everything they want and be whatever they want, and then they hit about 25 and realize, abruptly, that that’s just not the case. My grandfather might have wanted to be a professional baseball player, but he also knew he was going to end up working on a farm and getting married. That was the life he was born into, and what he could do to change that was to make sure his children had other opportunities.
But we live in the land of opportunity. If you’re a middle-class white kid, you probably had it pretty good growing up. You didn’t get everything you ever wanted, and you probably had peers who had it slightly better, but you had food to eat and clean water to drink and somewhere to live. And that’s to say nothing of movies to go see and music to listen to and TVs to watch. We take these things for granted, but it hasn’t always been that way. It used to be that the house and food weren’t a given. It still is all over the world, in ways we pretend not to know about. So when we long for the better opportunities, we glom onto the baseball player fantasy, onto the impossible. And eventually, we realize that’s not going to happen.
So here’s Troy, hoping not to tug Abed back to Earth because he, himself, doesn’t want to have to deal with the fact that he will probably become an air conditioning repairman. It’s something he’s tremendously good at, but it’s also something he doesn’t have a great passion for. (On some level, I would hope, just about everybody can relate to this.) Abed keeps him from having to grow up too fast, but there are problems inherent in that, like getting in over your head financially because you just buy whatever you want and worry about the consequences later. I like that this story is as much about Troy as it is about Abed, and I like that it concludes with the two largely moving scenes in which Troy and Abed talk about how Troy will sometimes need to step in and tell Abed not to do something and in which Abed meets with his dark alter ego, terrified by the thought of things changing around him. (Who’s emotionally malnourished now?) Reality pulls on the rope, and Troy—realizing his destiny—reluctantly complies. Abed flies off into greater fantasy."
I had an unexpected moment taking a study break to read the review of this weeks Community and listen to Youth Lagoon, 17 in the library. The angst felt when once realized what Troy has realized is overwhelming. However, Abed choosing to use fantasy as an escape from reality will only end miserably in failure. The reviewer comments that Abed exiting his fantasy world would be the end of the true Abed. I believe that the critic is missing a key concept. There is no need to either destroy Abed by extracting him from his safe haven or remove Troy completely from the hopeful boy that emerges while imagining with Abed. What we must find is that balance between the two states of believer and disbeliever. Only there in that place where both collide can peace ensue. Youth is a quality cultivated throughout life. My friend expands on the process of cultivation more eloquently in his post here. I highly, highly recommend you peruse it.
The tragedy of Peter Pan lives on as modern interpretations continue to appear.